Miguel (Anthony Gonzalez) wants nothing more than to be a musician, but his family has outlawed music since his great grandfather abandoned the family before he was born. Desperate to play on the Day of the Dead, Miguel finds himself accidentally entering the Land of the Dead to try and solve the family mystery.
Already a massive hit in Mexico, Coco is Pixar’s latest animated feature; the first from Toy Story 3 director Lee Unkrich since his foray into the land of Buzz, Woody and pals, and although Coco has the trademark beauty of a Pixar film, there is some of the magic missing in this spooky story of skeletons and family.
The voice cast is an impressive one, including Gael Garcia Bernal, Benjamin Bratt, Edward James Olmos, Alanna Ubach and relative newcomer Anthony Gonzalez as the young and enthusiastic Miguel. The voice cast do well with bringing their characters to life, and the emotion in the film comes from the performances behind the camera.
Adrian Molina and Matthew Aldrich’s screenplay, from a story by Lee Unkrich, Jason Katz, Adrian Molina and Matthew Aldrich, is not the first Pixar film to deal with uncomfortable subjects, but it is the first to truly deal with death, and what may happen after we depart this world. The Land of the Dead is a wonderful idea, and lends itself to adventure and fun, and as always with Pixar films, leaves the audience wanting to see more of the world that they have created on screen. That said, some elements of the film feel rather familiar, and those that do not, feel obvious, as though they are a long time coming before they actually are revealed on screen. This goes a long way to diluting the emotional impact of the film, leaving it feeling a lot more flat that the Pixar films that have gone before.
As directors, Lee Unkrich and Adrian Molina have created a beautiful world in Coco, and although the film deals with some of the darker sides of life – and the after life – this darkness is well balanced throughout, and should not be a deterrent to grown ups bringing the littler members of the audience to see the film. As well as this, the voice performances are strong and engaging, making the characters endearing and warm. That said, some of the emotional punches of the film feel as though they are missing – although this could be the fault of a predictable script – so moments that should have drama and impact end up feeling deflated and underwhelming.
In all, however, Coco is a beautifully designed film that has a lot of fun with the adventure elements of the story; it just lacks the emotional strength and impact of Pixar films that have gone before. There is a lot to enjoy about Coco, not least the carefully handled darkness and adventure, but there is a predictable feel to the film that drowns out some of the moments that should have been the emotional hits.